Friday, June 15, 2018

Where illegible mail goes to be read

https://www.nytimes.com/2013/05/04/us/where-mail-with-illegible-addresses-goes-to-be-read.html?emc=eta1

SALT LAKE CITY — Inside a plain warehouselike office building filled with rows of cubicles, Melissa Stark stares at the image of an envelope on a computer screen. The handwriting is barely legible and appears to be addressed to someone in the “cty of Jesey.”
“Is that a 7 or a 9 in the address?” Ms. Stark said to no one in particular. Then she typed in a few numbers and a list of possible addresses popped up on her screen. “Looks like a 9,” she said before selecting an address, apparently in Jersey City. The letter disappears and another one appears on the screen.
“That means I got it right,” Ms. Stark said.
Ms. Stark is one of the Postal Service’s data conversion operators, a techie title for someone who deciphers unreadable addresses, and she is one of the last of a breed. In September, the post office will close one of its two remaining centers where workers try to read the scribble on envelopes and address labels that machines cannot. At one time, there were 55 plants around the country where addresses rejected by machines were guessed at by workers aided with special software to get the mail where it was intended.
But improved scanning technology now allows machines to “read” virtually all of the 160 billion pieces of mail that moved through the system last year. As machines have improved, workers have been let go, and after September, the facility here will be the post office’s only center for reading illegible mail.
“We understand that these remote encoding centers were planned as a temporary fix,” said Barbara Batin, the center’s operations manager, using the facilities’ formal name. “They were created and deployed with the knowledge that new technology would eventually put us out of work.”

But for now, this center operates 365 days a year, 24 hours a day. More than 700 workers stare at images of letters, packages, change-of-address cards and other mail, trying to figure out where they are supposed to go. It is not easy work. With software, a knowledge of geography and more than a little intuition, an operator has exactly 90 seconds to move each piece of mail.
When mail-sorting machines around the country encounter addresses they cannot read, an electronic image of the bad handwriting or faded address is transmitted to operators here who view them and try to fill in the missing information by typing in a letter or a number. Once corrected, the information is returned to the processing plant where the mail is sent on to a local post office, ultimately ending up where it is supposed to go.
“We get the worst of the worst,” Ms. Batin said. “It used to be that we’d get letters that were somewhat legible but the machines weren’t good enough to read them. Now we get letters and packages with the most awful handwriting you can imagine. Still, it’s our job to make sure it gets to where it’s supposed to go.”
Over the years, the Postal Service has become the world leader in optical character recognition — software capable of reading computer-generated lettering and handwriting — sinking millions of dollars into equipment that can read nearly 98 percent of all hand-addressed mail and 99.5 percent of machine-addressed pieces.
That was not always the case. In the beginning, people sorted mail. As the volume and variety increased, the post office turned to automation. But the machines could read only about 35 percent of the mail at first and had trouble with handwritten addresses. So the Postal Service set up the centers, using people to supplement the scanners. At the height of the program, in 1997, the centers processed 19 billion images annually, about 10 percent of all mail at the time, the post office said.
In the last year, this center, and the one in Wichita, Kan., that will close in September, deciphered just 2.4 billion images, or a mere 1.5 percent of the mail, the post office said.
Speed is important. Each worker in this nearly football-field-length room is expected to process about 1,200 images an hour, and they average three seconds an image.

“Not everyone can process all the types of mail that we get,” said Ruth Burns, a group leader who sits in the middle of the sprawling room watching a bank of computer screens. “Some people are better at reading handwriting. Some are better at reading faded addresses. It varies.”
Rita Archuletta, who has worked at the center for 16 years, said she worked only on addresses involving letters, magazines and items listed as “undeliverable as addressed.” She does not do large envelopes, for example.
“My supervisor said my speed was too slow on those,” she said.
Ms. Archuletta said that over the years she had seen her share of impossible letters, like the one addressed to the house “down the street from the drugstore on the corner” or one intended for “the place next to the red barn.” Still, she said bad handwriting was the worst. “And most of the bad scribble seems to be coming from people back East,” she said with a smile. “They really can’t write.”
Natalie Jenkins, who started at the facility a year after it opened in 1994, said that while bad penmanship was a problem, addresses in different languages gave her the most trouble.
“We get a lot of mail from San Juan, and it’s in Spanish,” she said. “The machines can’t read it, so we have to. It does get easier after you’ve been doing it for a while. You start to recognize certain things.”
The saddest letter Ms. Jenkins has seen was addressed to God, apparently written by a little girl whose father had just died. “It broke my heart,” she said.
The best letters, Ms. Jenkins said, are those addressed to Santa Claus. They come in without an address and are sent to a processing center in Alaska, where volunteers answer them.
Back at Ms. Stark’s workstation, the image of an extremely faded letter with no discernible address appeared on the screen.
She zooms in. “Is that a ZIP code in the corner?” she asked, staring at the image for a few seconds.
Finally, she hit the reject button. The letter will be placed in a bin back at the mail processing plant where someone else will try to figure out the address by physically examining it.
“There are some things even we can’t read,” Ms. Stark said as another image popped up.

Might Get Done List




From: M Schrock
To: jmwilson411@yahoo.com
Sent: Thursday, January 31, 2013 7:27 AM
Subject: Twenty-six items idea

jmwilson411 (at) yahoo.com

Hi, Jean! I'm not a blogger so I can't post a comment, but I do love the idea of 26 items inside 26 mouths! You should do it! 

Marti Schrock

hi marti
thanks for emailing me.
i really do have it on my list of things i intend to get done this year

let me know if you have a particular favorite animal
and i will do your name for that letter 

i enjoy hearing from people who have found my blog
thanks again for emailing
jean

Artists are seldom psychopaths.

Sadly - George and Hunter on list 1
Jean and Ellen are on list 2
Skip - somewhere in the middle - appropriate for a middle child


Highest Rates of Psychopathy:

1. CEO
2. Lawyer
3. Media (Television/Radio)
4. Salesperson
5. Surgeon
6. Journalist
7. Police Officer
8. Clergy person
9. Chef
10. Civil Servant

Lowest Rates of Psychopathy:

1. Care Aide
2. Nurse
3. Therapist
4. Craftsperson
5. Beautician/Stylist
6. Charity Worker
7. Teacher
8. Creative Artist
9. Doctor
10. Accountant

The prevalence of psychopathy among corporate leaders has been reported before, including by AOL Jobs. And recently a study out of the University of Minnesota found that when college students exhibit such behaviors as cheating and lying -- which are considered typical of psychopaths -- they're more likely to do the same on the job. The study found that students' deceptive behavior -- from widening margins on a paper to having a fellow student write a paper for you -- "tends to carry over" into the workplace in practices such as long lunches and falsifying an expense report, Minnesota psychology professor Nathan Kuncel toldBusiness News Daily.

The Wedding Dress Story - only interesting to the bride and groom and MOB

The only mystery is why I had anything to do with the shipping of the dress----


-----Original Message-----
From: Powers, Colin (GE Capital) <Colin.Powers@ge.com>
To: jeanwilson411@aol.com
Sent: Fri, Jan 28, 2011 8:57 am
Subject: RE: fed ex ground tracking no

Truth time – and I’m not sharing this with Ellen.
 
It came yesterday at 4:30pm.  I went to the mailroom immediately – as I was stalking it on FedEx.com.  And they didn’t have it.  I made them look 3 times.  Often, when we get packages, they’ll immediately be put on a cart and delivered.  But I didn’t get anything by the time I left at 6:30pm for a dinner.  I was nervous.
 
I only slept 3 hours last night because I was so worried.  Needless to say, I went straight to the mailroom this morning.  And, aha!, it was there.  My heart can stop pounding.
 
Can’t wait to see the dress and the shoes on May 7!!!  So exciting.
 
From: jeanwilson411@aol.com [mailto:jeanwilson411@aol.com]
Sent: Friday, January 28, 2011 8:50 AM
To: Powers, Colin (GE Capital)
Subject: Re: fed ex ground tracking no
 
i just sat down to email you and ask you to tell me when i could resume breathing
THANK YOU
for knowing that i needed to know
thank you for being you
thank you for goodness....
it would take all day to compile the list
i'll do it on may 9th :-)
 
 
 
 
-----Original Message-----
From: Powers, Colin (GE Capital) <Colin.Powers@ge.com>
To: jeanwilson411@aol.comEllen.Wilson@citadelgroup.com
Sent: Fri, Jan 28, 2011 8:39 am
Subject: RE: fed ex ground tracking no
The eagle has landed.
 
Just picked it up.  Everyone can let out a sigh of relief now.  It will be in the warm confines of our home later this evening.
 
Thanks for sending, Jean. 
 
From: jeanwilson411@aol.com [mailto:jeanwilson411@aol.com]
Sent: Wednesday, January 26, 2011 11:44 AM
To: Ellen.Wilson@citadelgroup.com; Powers, Colin (GE Capital)
Subject: fed ex ground tracking no
 
 
045750615037382

even though it is going ground
the tag says that scheduled delivery date is 1 delivery day
so that's fast....

Being Dedicated to Your *Art*

In Jerry Seinfeld’s 2002 documentary Comedian, Jerry walks off the stage and meets a fan waiting in the wings. After introducing himself as a struggling comic, the fan asks Jerry if there’s a time to give up. “Is time running out?” asks Jerry. “Do you have something else you would rather been doing? Do you have other appointments or other places you have to be?” “Not necessarily,” replies the fan. “But you get to the point of, ‘How much longer can I take it?’ I’m getting older. I’m 29. I feel like I’ve sacrificed so much of my life. The last 3 years have been a blur. I see all my friends are making a lot of money. My friends are… you know, they’re moving up, and I’m worried…” “They’re moving up?” blurts Jerry. “Are you out of your mind? This has nothing to do with your friends. No. This is a special thing. This has nothing to do with making it.”
The comic replies, “…did you ever stop and compare your life and go, ‘My friends are all married, they’re all having kids, they all have houses, they have some sort of sense of normality.’” “Let me tell you a story,” says Jerry. “My favourite story about show business: Glenn Miller’s orchestra, they were doing some gigs somewhere. They couldn’t land where they were supposed to land, because it was winter — a snowy night. So they had to land in this field and walk to the gig. And they were dressed — in their suits. They were ready to play. They were carrying their instruments. So they were walking through the snow, and it was wet and it was slushy. And in the distance they saw this little house. And there were lights on in the inside and a billow of smoke coming out of the chimney. They went up to the house and they looked in the window and saw this family. There was a guy and his wife and she was beautiful. And there were two kids. And they were all sitting around the table. And they were smiling, they were laughing and they were eating. And there was a fire in the fireplace. And these guys were standing there in their suits, wet and shivering, holding their instruments. They were watching this incredible Norman Rockwell scene. One guy turned to the other guy and said, ‘How do people live like that?’